The Technique of “writing” Ukrainian Easter Eggs-“Pysanky”
When speaking of Ukrainian Easter eggs-“pysanky”, they are said to be “written”, as opposed to being “painted” or “decorated”. This is because the ornamentation is most commonly applied with a writing tool (called “kistka” or “pysal’tse”) through which melted beeswax flows in the same manner as ink flows through a fountain pen. (The very name “pysanka” is derived from this technique and comes from the Ukrainian verb “pysaty”, meaning “to write”.)
To create a “pysanka”, a fresh, clean chicken egg is cradled in ones hand and the preliminary lines of the predetermined pattern are laid out – “written” – in wax; according to the principles of the wax-resist process (also known as “batik”), the wax seals in the white color of the egg shell, protecting it from the various dye baths that are to follow. When all areas that are to remain white have been covered in wax, the egg is submerged in a bath of the next darker color, which covers all areas of the white egg shell that have not been protected with wax. The progression of colors proceeds from the lightest (usually the white of the egg shell) to the darkest, so that each subsequent color completely covers the preceding. The color scheme for a typical multi-colored “pysanka” is: white (the color of the egg shell) – yellow – green (applied topically, as it is a very dense color that might spoil the subsequent dyes) – orange – red, with brick-red, brown or black being the final background color.
After each dye bath, the areas that are to remain that color are covered in wax, and then dipped into the next darker dye, with the process repeated until the egg has been dyed in each color and the appropriate areas have been covered with wax. The final color is always the darkest, and is one that provides a background that effectively contrasts with all of the other previously utilized colors.
When the final (darkest) color has been applied, the egg is carefully heated so as to melt the various layers of wax so that it may be removed easily with a soft cloth. As the wax is being removed, the colorful patterns of the applied ornamentation are revealed. With the wax fully removed, the multicolored pattern of the completed “pysanka” is visible in all of its intricate glory.